A long overdue account of what I accomplished the week before last...
Questing after shrub borders against the fence, I've been reading "Continuous Color" by Pam Duthie.

She recommends shrubs with more than one season's interest. For each one she lists all the relevant details, including some gushing comments that undercut her authority just a bit. Nevertheless, based on her recommendations, I headed first to Merrifield and then to Colesville Nursery.
At Merrifield (in the pouring rain), I ended up with a Kerria japonica 'Golden Guinea,' which has single yellow roselike blooms and offers "bright green stems showy in winter." It's not an exciting shrub, but its yellow flowers are sweet. I was heartened to read Henry Mitchell calling it "common and unexciting" but going on to say,
And yet I well recall decades ago when I first saw this bright canary-yellow creature - golden quarters spangled the length of bright lime-green stems - in a Mississippi garden...I could not think of many good plants that would survive in dry shade, and besides, I wanted the green stems to be there in winter. Indeed, they are just as cheerful on a January day as I expected they would be.
Also at Merrifield, after surveying the yews
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and the English laurels
with an interested eye, I came away with a Kirengeshoma, something I'd been interested in since planning the refurbished front garden. I've planted it under the oak tree in back and look forward to its leaves and blooms. It doesn't hurt to see Henry Mitchell saying
What could be grown in such a space, dampish and half shady, between brick pavement and the concrete wall of the pool? Well, if I moved the wild irises (Iris versicolor from a local swamp) out and dug in a barrowful of leaf mold and some peat moss and let it all settle down nicely, I could grow Kirengeshoma palmata. This is a perennial posing as a small shrub, growing three feet or so, with leaves like a Norway maple's and hanging yellow bells or trumpet flowers in October. I have never seen a photograph of it that would make anybody desire it. And yet I have never heard of any gardener who, seeing it in the flesh, did not want it. It's not the leaves and it's not the flowers -- it's the way the plant is put together with such refinement and freshness.
Here it is:

Also five Mahogany bugleweed to go under the oak leaf hydrangea, three white caladiums for pots, a Rex begonia, and a 'White Lady' hellebore to go somewhere... Here's the wagon full:

 Right Plant, Right Place lists almost every garden condition you could think of and recommends plants that work there. Each entry includes a color photo, list of Latin and common names, height, zone, flowering times, etc., plus a paragraph of information about habits. Because some categories overlap - e.g., Plants Suitable for Dense Shade with Plants with Yellow or Yellow-Green Leaves - you have to consult the See also list at the end of each section to get complete information. This is a 2005 revision and it's almost a book to own, but in reality I will scour it for ideas and then return it to the library until the next time I need it. I'm finding it very useful as I plan the shrub border at the north side of the house. I've also used it to update my plant lists (see right).
 Some of us remember when Roger Swain, with his scratchy beard and generous middle, led the original Victory Garden team, along with Marian Morash, wife of the producer and a wonderful cook, and Tovah Martin, who as I remember concentrated on herbs and container gardens. But since 2001 the show has been led by Michael Weishan, whom I'm beginning to like. His book is actually quite good; he starts out with the obvious question, why another basic gardening book? This one, he says, is a basic sampler of good gardening practice that helps you to ask why as well as how. He concentrates mainly on design, with entreaties to amend your soil and pay attention to light requirements, all good advice (that I sometimes follow). He encourages gardeners to start with the house when designing gardens. Pay attention to which parts of the garden you see from the house and integrate your house's style into the style of your gardens and hardscape. Those ubiquitous and boring foundation plantings should be designed in layers to make it look as though the house is emerging from the garden rather than being tightly outlined by shrubs in formation. Finally, he makes the very good point that outdoor scale is big - you need more space for tables and chairs than you might think. The photos are inspiring without being so amazing that the ordinary gardener feels humiliated. Nicely done.
 Anne Raver, well, raved about this book in the New York Times, and I agree that the photographs are awe-inspiring. Several of the photos were taken at Heronswood, with their combination of cool good taste and sly surprises. I was particularly struck by the use of negative space, as in empty pots or pots filled to the rim with water that looks black or mirror-like. Rogers concentrates on color, form, texture, and other qualities that make up good design, so it's more of a design book than a practical guide (not that these things aren't important). He's a huge fan of cordylines like the ones pictured here, tropical Australian palms with striking colors and architectural foliage, as well as other tropicals like Agave.  His favorite container plants will not easily be found locally but would be worth seeking out. This is fun to look at but not a book to own.
 Ketzel* Levine's book was recommended by Martha (I think), so I ILL'd it. For each season, she recommends a list of plants, especially those that thrive in her zone 8 Portland (Oregon) garden, giving each a double page spread complete with watercolor illustrations. Some of her comments are too hokey for me, but I appreciated listings of plants I'd forgotten about or didn't know. Made notes of Primula sieboldii (good in dry summers, I have been longing for those high-stalked primroses you see in England), Ekianthus (spring-blooming shrub for shade), Clethra (though it prefers moisture), Kadsura japonica 'Chirifu' (an evergreen vine for shade), and sweet box (Sarcococca). Then she noted controversy about Fallopia, which she lauds as "big, leafy perennials that are ornamental from day one...but because of the grossly invasive nature of this genus, no discussion of the two variegated forms is possible without raising hackles high." Could this be related to the dread Houttuynia? This is the incredibly invasive plant that Dianne B. rails about in her book. Judy offered me something in her garden that reminded me ominously of this plant, though she swears it's not invasive at all. Here's Judy's plant in a shady spot with some impatiens: and here's a picture of Fallopia, aka Japanese knotweed:  and then here's a picture of Houttynia:  Are they all the same thing? The mystery deepens...but as someone who has bishop's weed, loosestrife, mint and lemon balm already, I'm not going to jump into this, whatever it's calling itself. *So, I always thought her name was Ketza - comes of listening to her on NPR instead of reading...
 Subtitled "41 Pick-and-Choose Projects for Planting Your Paradise Large or Small," this offers good tips for beginners and those of us who are not quite beginners but in need of advice. Some of her projects will be harder than she suggests, but the you-can-do-it-and-it-will-be-great attitude makes this fun to read. I guess I should know who author Katherine Whiteside is - I can tell I've been out of the gardening loop for the past five years - since she apparently has written widely. At any rate, I picked up a couple good tips here, one being a simple plan for a compost pile  (I need to get a better grip than this, I'm embarrassed to post the photo!), and a recipe for sorrel soup that I will pull out next spring. As a bonus, this is illustrated with charming watercolors by Peter Gergely.
 "The Well-Tended Perennial Garden, Planting and Pruning Techniques" by Tracy DiSabato-Aust is well-regarded and I can see why. She's obviously a knowledgeable gardener with a lot of experience. Her notes on each plant offer good suggestions for when to prune and what to expect when you do (often a second blush of bloom). I made notes on a couple ideas: remember to cut down biennials immediately after blooming to get another year out of them; cut back old flowering stems of Pulmonaria for a fresher-looking plant; cut back perovskia in early spring, down to live buds, which can be 6" or more above ground; feed astilbe in early October with 20-10-10, it's a heavy feeder. But she's a great believer in pruning so that you get smaller flowers later in the season. Makes some sense if you can avoid staking, but otherwise it seems fussy and artificial to me. Also, she seems to prefer huge sweeps of the same plant, which looks institutional in my opinion. Interesting, but not an addition to my garden library.
The front garden has undergone a big transformation. When I took out the beloved but way overgrown rosemary 'Arp' and, sadly, the Fairy rose that Dad had given me years ago (not enough sun any more), to say nothing of grubbing out tons of vinca, I had an almost clean slate. I am trying to keep in mind that this is the garden I see most frequently so it should be the best and most well-tended of all. It is mostly shaded now, with just a few slivers of early morning and mid-afternoon sun. The astilbes have struggled a bit, I think because we've had such dry summers. Playtcodon is very happy, coming up in random spots as the fancy strikes it, ditto garlic chives. The edging of coral bells that Mom gave me when I started the garden continues to thrive, though I have a few bare spots that I need to fill in. The only problem there is the timing: the fuschia azalea that came with the house is in full bloom at the same time, and the soft coral clashes with the intense azalea color.  At any rate, I checked out and quickly bought "The Perennial Gardener's Design Primer" by Stephanie Cohen and Nancy J. Ondra. I love this for its practical approach and its specificity. Based on their design for "an elegant entrance garden" (not that I'm making any claims), I designed the front garden to include dark foliage (Heuchera 'Plum Pudding,' Cimicifuga 'Hillside Black Beauty,' et al.) and brighter colors (Hakonechloa macra 'Albo-striata,' my new favorite, and three Brunnera 'Jack Frost'). Last fall I put in three geranium 'Hocus Pocus' but there's no trace of them now - either they're very late to appear, or I planted something right on top of them (another reason to order that marking pen that Dianne B. recommends). The next order of business is to choose spring bulbs - all that's there now are a few grape hyacinths, plus the Thalia daffodils I planted around the new August Moon hosta. In line with the idea that this garden is the most visible, why not choose something spectacular like double bloodroot? McClure & Zimmerman carry the single one, at only $8.95 for three. Carroll Gardens lists the double at $17.85! but it's not available this year. I may have to sneak into Judy's woods and grab one of Mom's while they're not looking.
 Dianne Benson used to be in the fashion world, but when her business failed, she turned to gardening instead, and "Dirt" is the marvelous result. No matter that she had been gardening in her Zone 7 Long Island plot for only six years when she penned this comprehensive guide to gardens - she is opinionated and fearless. And of course, as a former fashionista, she does it all with style, wearing riding breeches, a big white shirt, and a fishing vest from Cabela's (and tells you exactly where to buy all the above).  She's wrong about some things - loves ivy for some reason, hates the color yellow, can't abide phlox or alchemilla - but she has more good ideas than bad ones. She's wildly enthusiastic about fritillarias and lilies, and plants more trees than you would think possible on only one acre. This is out of print but well worth seeking out. Thanks to Michele Owens at Sign of the Shovel for this recommendation
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